|
|
|
X
(MA)
Dir. Jon Hewitt | Australia, 85 mins | Trailer

Powerful...pounds
with flickering energy and an intoxicating sense of danger.
FILMINK
Highly
erotic, sexy and extreme.
TWITCH
The
acting is phenomenal
a beautiful film.
KILLER FILM
Two unsuspecting
young women are plunged into a deadly game of cat and mouse
in Jon Hewitts high-octane erotic thriller X. High
class escort Holly is retiring, kissing her call girl life goodbye.
She just has one last night on the job to get through. Meanwhile,
teenage runaway Shay arrives in the city broke and alone, doing
whatever it takes to get through her first night on the streets
of Kings Cross.
Holly and
Shay are thrown together on a job that goes horribly wrong.
They find themselves on an out-of-control roller coaster ride
racing through a labyrinth of neon lights, seedy strip joints
and grimy back alleys deep in the heart of the red light district.
If they can get through this unrelenting night, they might just
have a chance at a fresh start. Stars Viva Bianca (Spartacus:
Blood and Sand) and Hanna Mangan-Lawrence (Acolytes,
The Square).
|
| |
|
THE
ILLUSIONIST (PG)
Dir. Sylvain Chomet | UK/ France, 80 mins | Trailer

Academy
Award and Golden Globe Award nominee for Best Animated Feature
Film, THE ILLUSIONIST is based on an unproduced script by French
comedy genius and cinema legend Jacques Tati (Play Time,
Mon Oncle). Adapted for the screen by Sylvain Chomet
(Academy Award nominee for 2003s The Triplets of Belleville),
his distinctive hand-drawn animated style brings the story to
life.
In the late 1950s an out-dated and aging magician travels the
globe in search of work, forced to accept increasingly obscure
engagements to get by. Travelling to Scotland, his gloom is
lifted when he encounters Alice; an innocent young girl who
will change his life forever. Watching his performance, Alice
becomes fascinated by The Illusionist and believes his tricks
are real magic. Though they dont speak the same language,
the two lonely strangers quickly bond through small kindnesses
afforded one another. As they travel together to Edinburgh for
work, The Illusionist cannot bring himself to reveal that real
magic does not exist for fear of disappointing Alice.
|
| |
THE
HUMAN RESOURCES MANAGER
(M)
Dir.
Eran Riklis | Israel/Germany/France/Romania,
103 mins | Trailer


"A
lovely film, a wry and compassionate one that has a sense of
humour"
FOUR STARS
Margaret Pomeranz, AT THE MOVIES
"An
uplifting gem"
Louise Keller, URBAN CINEFILE
 
2010
Asia Pacific Screen Awards - Mark Ivanir nominated for Best
Actor
From the
director of Lemon Tree. The Human Resources Manager of
Jerusalem's largest bakery is in trouble. He's separated from
his wife, distanced from his daughter and stuck in a job he
hates. When one of his employees, a foreign worker, is killed
in a suicide bombing and the bakery is accused of inhumanity
and indifference, the HR Manager is sent on a mission to make
things right.
As the facts
unfold he embarks on a complex journey, beginning in the mystical
streets of Jerusalem and continuing in frozen Romania. The Manager
finds himself leading an awkward convoy to the dead woman's
village including her rebellious son, a pesky journalist determined
to ruin him, a quirky consul, an old veteran driver and a coffin.
Far from home, on a mission to honor a woman he didn't even
know but has somehow grown to admire, the HR Manager rediscovers
his own humanity and his ability to truly care for human resources.
|
| |
LE
QUATTRO VOLTE (THE FOUR TIMES) (G)
Dir.
Michelangelo Frammartino | Italy/Germany/Switzerland,
88 mins
| Trailer

In
a small village perched high on the hills of Calabria, at
the southernmost tip of Italy, a breathtaking and majestic
journey slowly unfolds following the passing of a soul through
four elements; human, animal, plant and mineral. Set against
magnificent natural scenery, the cycle of existence is celebrated
in this tranquil and transcendent film infused with unexpected
humour and mystery.
LE
QUATTRO VOLTE (THE FOUR TIMES) is a poetic vision of the revolving
cycles of life and nature and the unbroken traditions of a
timeless place.
|||
Selected for the 2010 Cannes Directors' Fortnight |||
...funny,
sad and visually stunning, maintaining its distance but always
fully engaged
Tom Ryan, THE SUNDAY AGE
The
most profound, expansive and unsettling view of nature I have
ever encountered on film
A.O. Scott, THE NEW YORK TIMES
A
film of striking beauty and originality...intriguing from
beginning to end
Lee Marshall, SCREEN INTERNATIONAL
'Extraordinary
stylistic talent...radical and fascinating
Fabien Lemercier, CINEUROPA
'An
ingenious film halfway between Tati and Pasolini...at once
sinister and magical....Superb'
J.B. Morain, LES INROCKUPTIBLES
|
|